I've had a bass guitar on loan to me this month. I wanted bass on my album and it was suggested that I should be able to pick it right up, being that I play guitar. They are, essentially, the same instrument.
Yeah, right.
I wrote one bass line for my song "Good" that turned out fairly well. It happened very organically and sounds kind of like a real bass line. Yes, it all takes place on one string. But it works.
After that, I was out of ideas. I couldn't come up with anything other than just hitting the bass notes on a beat without giving myself a headache.
When the time came to record the bass lines for the album last Friday, I had picked the minimum number of songs that only really felt like they had to have bass on them. I plucked away cautiously at the strings. My producer suggested a funky little country rhythm for my song "Cast A Spell". After a couple of takes of me struggling to produce the sound, we gave up and stuck with my simple notes on singular strings.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbnXSnmvVTHqLDqt3Wi4WCEcgi9MnkK9xuj_f1gcqrigQn4ljTQsELU-dyZ1FF28XEjgV3Xhpc_XrMiyhargyW6bOkWUbGZ6EGzpBxS-XdOcz-_yS9r_6Ow7QCKBufNBkBPiz_RKx3K-8Z/s200/BassGuitarGirl.jpg)
(I did not look as cool as this cartoon chick.)
It's a very touchy instrument. Those big metal strings resonate strongly if even slightly brushed and it refuses to go unnoticed.
Things I had thought up at home recorded so differently. Buzzing and harmonics sounded throughout. I managed to get it recorded fairly decently on a few songs and then that was it. My relationship with the bass guitar has ended. I don't intend to ever pick it up again. Hopefully by the next album, I'll have a bass player.
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